As a studied designer, I am focused on creating and arranging colors, shapes and compositions. I am deeply believing that the aesthetic objects we surround ourselves with every day influence our satisfaction and well-being. Aesthetics are expression, identity and a sense of home. They define you. It is a mirror of our being. Our clothes, our home, our lifestyle - they all embody who we are or who we want to be.

With Kinship Klub, I have made it my mission to create a space where people can identify with the objects that are an expression of who they are and to increase their satisfaction with the things they surround themselves with. It aims to connect aesthetes and brings this mission to the world.

Through Kinship Klub I want to create a place where you can find things that are as unique as you are. I believe that we don't need mass production to find out who we are. You have to listen to yourself and follow what you can identify with.

The Story Behind

Second-hand has been with me my whole life. As a child, I loved looking for treasures at flea markets with my mother. It was like a ritual just for us. Later, during my studies, second-hand was a clever way to save money and still live out my style. But with my first job and a steady salary, second-hand disappeared from my everyday life.

During the corona period, I began to question my consumer behavior. My view changed and I was no longer interested in saving money, but in sustainability. This realization became a passion. I was literally addicted to discovering unique finds. I love rummaging through crowded stores in search of that one special piece. But I know that not everyone shares this enthusiasm.

On my travels through Europe, I discovered second-hand stores that look like small, lovingly curated boutiques - places that invite you to browse without being overwhelming. Many friends asked me where I got my pieces, but for them the thought of spending hours searching through rummage boxes was daunting. I understand that. But this treasure hunt is my passion.

Today, I don't buy second-hand to get a good deal, but to find quality. For me, vintage is no longer an economy model, but a conscious decision for unique pieces with history. Why should high-quality pieces be worth less just because they are second-hand? They are more durable, unique and sustainable.